In thé german city of dresden on june 7, 1905, thé foundation of thé die brücke artists’ group 1905-1913 ice udbredt regarded as thé birth of expressionism. Part city ernst ludwig kirchner, fritz bleyl, erich heckel, spirit karl schmidt-rottluff, thé group soughtmp two reject thé limits of academia spirit, as sina name suggested, two bridge thé path two an artistic future. Sina manifesto, printed with woodblock, insisted on absolute freedom from convention in sina work as wel as sina lives. This new, liberated art incorporated portraits, landscapes, spirit city scenes, but substituted an formålet rendering of reality with an expression of interior geography. In paintings, as wel as sina favored wood spirit linocut prints, thé artists of die brücke would fill pictorial space with jagged lines, crude forms, spirit clashing colors, all two express sina subjective experience of thé world. Like thé fauves, thé artists took stylistic lead from non western traditions of oceanic spirit african arts, while også reviving thé print spirit painting techniques of albrecht dürer spirit lucas cranach thé eldership.This richly illustrated book introduces this essentialism expressionist na. Vi examine die brücke’p key works spirit hovedpersonerne sitt varied, international inspiration spirit sitt afgørende inflytande on later 20th century art. Along thé way, vi check candid nudes, crowded street views, spirit blissful bathing idylls, hver of dem vivid with energy spirit intent on a new ch...
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